Joan of Arc

Orchestral Manoeuvres in the Dark

About Joan of Arc

"Joan of Arc" is a 1981 song by British band Orchestral Manoeuvres in the Dark (OMD), released as the second single from their third studio album Architecture & Morality. It became an international hit, reaching the Top 5 in the UK and Canada and number 13 in Ireland. This is the first of two OMD songs written by McCluskey on the subject of the French saint Joan of Arc. The second, "Joan of Arc (Maid of Orleans)" was also issued as a single (renamed "Maid of Orleans (The Waltz Joan of Arc)" for its release). Both tracks feature on Architecture & Morality. 


Year:
2008
3:37
126 

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Little catholic girl is fallin' in love
A face on a page, a gift from above
She should've known better than to give her heart
She should've known better than to ever part without me, without me
I gave her everything that I ever owned
I think she understood it but she never spoke
She shouldn't oughta try to be that way
She shouldn't have to go there every day without me, without me
Now listen to us good and listen well
Listen to the song and everything we tell
We should've known better than to give her away
We should've known better to this very day, without me, without me
Listen, [show it all], all you gotta do
Say the right words and I'll be coming through
Hold you in my arms and take you right away
Now she's turned away to another land
We never understood it why she gave her hand
She shouldn't oughta promise, ''cause it's just pretend
I know she doesn't mean it and she'll leave again without me, without me
Without me, without me

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Orchestral Manoeuvres in the Dark

Orchestral Manoeuvres in the Dark (OMD) are a British New Wave group formed in 1978, whose founding members, Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), are originally from the Wirral Peninsula, England. The band rose to fame with their fourth single "Enola Gay", which became a major hit throughout Europe in 1980, and achieved worldwide popularity the following year with their third album Architecture & Morality. Regarded as the band's seminal work, it spawned three international hit singles and propelled them to superstar status in their home country. OMD, whose music frequently eschewed traditional pop music arrangements in favour of experimentation, were retrospectively described by AllMusic's Ned Raggett as having been… more »

4 fans

Written by: Andrew McCluskey

Lyrics © BMG Rights Management

Lyrics Licensed & Provided by LyricFind


11 facts about this song

Band Formation
"Joan of Arc" was performed by "Orchestral Manoeuvres in the Dark" (OMD), a British new wave band which was formed in 1978.
Album Association
The song is from the band's third studio album, 'Architecture & Morality', released in 1981, considered one of their most successful releases.
Chart Success
"Joan of Arc" was a Top 5 hit in the UK, reaching number 5 on the Singles Chart in November 1981. It also reached number 13 in Ireland and number 9 in the Netherlands.
Joan of Arc Theme
As the title suggests, the song is about the historical figure Joan of Arc, a French heroine and Catholic saint, drawing inspiration from her life and martyrdom.
Unique Song Structure
Unlike traditional pop songs, the band specified there are no verses or chorus in the song, only a series of different sections that run into each other.
Two Variant Songs
The song has a follow-up titled "Joan of Arc (Maid of Orleans)" which became an even bigger hit than its predecessor, reaching number 4 in the UK charts. Despite sharing a theme, the two songs are musically distinct.
Influential Album
'Architecture & Morality', the album which "Joan of Arc" is part of, has been deemed as influential, offering a template for later synth-pop acts to follow.
Record Label
The song was released under the record label Dindisc, which also released the band's first three albums.
Song Duration
The song boasts a rather standard pop song duration, clocking in at just over three minutes long.
Music Video
The music video for "Joan of Arc" corresponded with the song's theme, featuring the band performing in a set designed to look like a medieval church.
Synthesizer-Based Sound
The track is notable for its heavy use of synthesizers, a defining characteristic of OMD's early sound.

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