Nappy Heads

Fugees

About Nappy Heads

"Nappy Heads" is a song performed by Fugees, issued as the second single from the group's debut album Blunted on Reality. The original version of the song was co-produced by Pras and Wyclef Jean and written by Lauryn Hill, but the more well-known, definitive remix version was produced by Salaam Remi. The song became the group's first entry on the Billboard Hot 100, peaking at number 49. The song also reached #1 on the Billboard dance chart.


Year:
1994
111 
#2

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[Wyclef]
Yo, Mona Lisa, could I get a date on Friday?
And if you're busy, I wouldn't mind taking
Saturday
Round up de posse, Fugee comin' around the way.

[Wyclef] 
Yo, hey, nappy head.

[Lauryn] 
Yo, whats up?

[Wyclef] 
What you got there?

[Lauryn] 
I got some of that lyrical cheeba cheeba.

[Wyclef] 
Word?

A cheeba cheeba, y'all, well, I'm a Libra, y'all.
A cheeba cheeba, y'all, well, I'm a Libra, y'all.

[Wyclef]
You want to battle swing?  I bring commanding men, like I was king.
In all your dreams I write the horror flick of Stephen King.
Cling to false, also those papers say ock.
I got tired of the fat lady so I sing to my own opera.
Ba-lang-balang-balang-to-de-man-de-rock-'cause I love thee.
If you live by the sword, you will be die by the gun,
'Cause all guys tell lies, and more girls commits it.
I was ordered to code red, but now I'm chillin' with a few good men.
Assassination on the kid from the capitol.
I never play the soap opera, but now I'm a general hospital.
Condition critical, spirit over who's the physical.
So if I die, catch me at the funeral.
I'll fly away, oh glory,
With a mic in my hand, to a land where only God knows me,
And the angels write raps on holy paper.
I said: I'm lookin for Jesus, he said: take the escalator
One flight up, is guaranteed you'll be there.
My sister'd be there, my mother'd be there.
So, Mona Lisa, could I get a date on Friday?
And if you're busy, I wouldn't mind taking
Saturday-ay-ay, ay-ay-ay.
Round up de posse, Fugee comin' around de way.

[Lauryn Hill]
I don't puff blunts, so I always got my breath.
Never had to battle with a bullet proof vest.
They call me cock-weasel, but I still cave a chest.
I don't wear Jheri curls, 'cause I'm nah from the West.
No disrespect to the West, true indeed,
I rock it to the East, the East is the seed.
To see that them days back, yo sheepskins and hot tracks.
Peace to Mr. Magic, things are getting tragic.
Now we on some new stuff, I never feared the Ku Kluk.
My own clan is actin' up, I blame it on the Phillie blunt.
Whatcha gonna do, kids are acting oooohhhh.
Hill is gettin' fed up, yo, where's the coporate at?
A mister three-piece-suit.
Check the square roots, Girbauds and Timberland boots.
Nah, that's the serpents, and know them garment tips.
I got a head full of problems and a hand full of nappy roots.
I feel a Jones' comin' down, yo I

(I got the slang to make the chitty-bang-bang
A rid-dang-de-dang, the nappy head bang.)
No I, got the slang to make the chitty-bang-bang
A rid-dang-de-dang, the nappy heads bang.)

Yo, Mona Lisa, could I get a date on Friday?
And if you're busy, I wouldn't mind taking
Saturday
Round up de posse, Fugee comin' 'round de way,
Nappy heads in the zone and we're not goin' home!

[Prazwell & Wyclef]
Hey, yo, a battle is a battle but a battle's not a battle.
If it's snake doesn't rattle,
'Cause my style's as old as a reptile.
As slick as a new Nile, as new as a new child.
So come follow me to the land of Abraham.
This land's your land, this land's my land.
The blacker the black man, the better the next man.
(Yo, some nappy heads need to check they necks for red.)

I feel injection,
Put the needle to your skin, feel reality's heroin.
You maintain to put a negro in pain, you used to diss me.
"Oh, you want to hang with old Eddie Kane?" (The Five Heartbeats.)
Ain't nuttin' wrong, snap your head to the song.
Word is bond, you get wrong, I'll have you sing like Louis Armstrong.
And I say to myself, what a wonderful world,
But what the hell was so wonderful 'bout cotton in the farm?
Mr. Slave Man!
The harder they come, the harder they fall, so come one, come all.
Don't stall or I'm a stick you like a voodoo doll.
Doors locked, stop drawer for the count, who drops.
You slept on a kid from the boondocks,
Out of Motorville land of the ill kill.
Bellsburg Viking, so you know I'm top ranking, Phil.
Some say who coming, like, like the yuma, but save the rumor,
'Cause I've been rockin' ever since eighty-two,
When I used to rock my Pumas

A cheeba cheeba y'all, well, I'm a Libra, y'all. [Repeat: x4]
Yo, Mona Lisa, could I get a date on Friday?
And if you're busy, I wouldn't mind taking

Saturday
Round up de posse, Fugee comin' around de way.
Nappy heads in the zone and we're not goin' home!

Saturday
Round up de posse, Fugee comin' around de way.
Nappy heads in the zone and we're not goin' home!

I wear my sunglasses at night
To spy on my girlfriend, that's right.
They dancin', romancin', freakin', at night!
Yes, yes, yes, a yes, yes, y'all.

I wear my sunglasses at night
To spy on my girlfriend, that's right.
They dancin', romancin', freakin', at night!
Yes, yes, yes, a yes, yes, y'all.

Mona Lisa
Nappy heads in the zone and we not goin' home!

A cheeba cheeba y'all, well, I'm a Libra, y'all. [Repeat: x4]
And to the beat y'all, and to the beat y'all, come on everybody.

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Fugees

Fugees (/ˈfuːdʒiːz/) (formerly Tranzlator Crew) were an American hip hop group who rose to fame in the mid-1990s. Their repertoire included elements of hip hop, soul and Caribbean music, particularly reggae. The members of the group were rapper/singer/producer Wyclef Jean, rapper/singer/producer Lauryn Hill and rapper Pras Michel. Deriving their name from the term refugee, Jean and Pras are Haitian, while Hill is American. The group recorded two albums—one of which, The Score (1996), was a multi-platinum and Grammy-winning success—before disbanding in 1997. Hill and Jean each went on to successful solo recording careers; Michel focused on soundtrack recordings and acting, though he found commercial success with his song "Ghetto Supastar". In 2007, MTV ranked … more »

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Written by: Kool And The Gang, Lauryn Hill, Rashad R Muhammad, Samuel Prakazrel Michel, Sherry Scott, Wyclef Jean

Lyrics © THIRD SIDE MUSIC INC., Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.

Lyrics Licensed & Provided by LyricFind


10 facts about this song

Band Information
"Nappy Heads" is a popular song by the Fugees, an American hip hop group that was predominantly active during the 1990s. The group consisted of Lauryn Hill, Pras Michel, and Wyclef Jean.
Album Fact
"Nappy Heads" was featured on the Fugees’ debut album, "Blunted on Reality," which was released in February 1994.
Genre Classification
The Fugees are known for their unique blend of Reggae, R&B, Soul, and Hip Hop, and "Nappy Heads" is a prime example of their genre-mixing style.
Successful Remix
A remix version of "Nappy Heads," known as the "Nappy Heads (Remix)," was released which gained more popularity than the original. This version was remixed by Salaam Remi, a well-known hip hop producer.
Chart Performance
"Nappy Heads” had an impressive performance on the charts. It scored a position in the top 50 on Billboard’s Hot R&B/Hip-Hop Songs chart.
Critical Reception
The song and its remix primarily received positive reviews from critics. Critics praised the group’s distinctive sound, clever lyrical content, and the infectious beat of the track.
Music Video
The music video for "Nappy Heads" was directed by Brian Luvar and Georges Sulmers. It showcased the individual members of Fugees and reflected the band's street-style urban image.
Cultural Impact
The track, with its powerful lyrical commentary on the struggles of black youth and the socio-political issues surrounding race and identity, resonated on a larger cultural level.
Identity Reference
The title "Nappy Heads" refers to a type of curly, coiled hair texture commonly associated with people of African descent. The term has been both embraced and rejected within the community due to its history and connotations.
Social Commentary
The song throws light on the society's views on race, hair, and identity. In a broader cultural context, the song has been interpreted as a critique on racial stereotypes and a call for self-confidence and acceptance.

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    Nappy Heads

    3.9M
    24,604     498

    Top Hot 100 Songs 1994

    Billboard #49


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