Coyote

About Coyote

"Coyote" is the opening song from Joni Mitchell's 1976 album Hejira and also the album's first single. Though the song had been introduced (in embryonic form) on the tour to support 1975's The Hissing of Summer Lawns, "Coyote" was a significant musical departure: where Hissing was ornate with pianos, layered vocals and percussion, "Coyote" was stripped down to electric and acoustic guitars and a fretless bass guitar played by virtuoso Jaco Pastorius. In a sense, this was similar to Mitchell's early albums, but the sound was extremely spacious, even repetitive, with the verses made much longer and more like a long story. Thus, although this is one of the faster-tempo songs on Hejira, it still lasts for an even five minutes. Mitchell's guitar itself was in an unusual (low to high) C-G-D-F-C-E tuning (the same as in the song "Ladies of the Canyon") - presumably a type of open tuning designed to play a seventh, ninth, or even eleventh chord. Lyrically, "Coyote" is concerned with the difficulty of establishing any sort of connection with people who come from "different sets of circumstance" (as the song has it). In particular it describes an encounter (which turns into a one-night stand) between the narrator (possibly meant to be Mitchell herself as there is a reference in the lyrics to her coming home from the studio) and "Coyote", a ranch worker. In Chris O'Dell's 2009 autobiography Miss O'Dell she details an affair she had with married playwright Sam Shepard and states that Shepard then cheated on her with Joni Mitchell. O'Dell claims that "Coyote" is written about Sam Shepard. Coyote represents nature contrasted with the narrator's big city (presumably LA) life where "pills and powders" are necessary to "get them through this passion play". The aforementioned line is also a reference to Bob Dylan's Rolling Thunder Revue concert tour, which Mitchell was a part of in the fall of 1975. During a performance of the song by Mitchell in the film Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese, Roger McGuinn of the Byrds states that, “Joni wrote this song about this tour and on this tour and for this tour,” to which she does not protest. A version of "Coyote" was performed by Mitchell with The Band for the concert movie The Last Waltz and is included on the soundtrack. The song was also covered by Spirit of the West on the 1992 Mitchell tribute album Back to the Garden. more »

Year:

1980

4:56

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No regrets Coyote
We just come from such different sets of circumstance
I'm up all night in the studios
And you're up early on your ranch
You'll be brushing out a brood mare's tail
While the sun is ascending
And I'll just be getting home with my reel to reel

There's no comprehending
Just how close to the bone and the skin and the eyes
And the lips you can get
And still feel so alone
And still feel related
Like stations in some relay
You're not a hit and run driver, no, no
Racing away
You just picked up a hitcher
A prisoner of the white lines on the freeway

We saw a farmhouse burning down
In the middle of nowhere
In the middle of the night
And we rolled right past that tragedy
Till we turned into some road house lights
Where a local band was playing
Locals were up kicking and shaking on the floor
And the next thing I know
That Coyote's at my door
He pins me in a corner and he won't take "No!"

He drags me out on the dance floor
And we're dancing close and slow
Now he's got a woman at home
He's got another woman down the hall
He seems to want me anyway
Why'd you have to get so drunk
And lead me on that way
You just picked up a hitcher
A prisoner of the white lines of the freeway

I looked a Coyote right in the face
On the road to Baljennie near my old home town
He went running through the whisker wheat
Chasing some prize down
And a hawk was playing with him
Coyote was jumping straight up and making passes
He had those same eyes - just like yours
Under your dark glasses
Privately probing the public rooms
And peeking through keyholes in numbered doors
Where the players lick their wounds
And take their temporary lovers
And their pills and powders to get them through this passion play

No regrets, Coyote
I just get off up aways
You just picked up a hitcher
A prisoner of the white lines on the freeway

Coyote's in the coffee shop
He's staring a hole in his scrambled eggs
He picks up my scent on his fingers
While he's watching the waitresses' legs
He's too fat from the Bay of Fundy
From Appaloosas and Eagles and tides
And the air conditioned cubicles
And the carbon ribbon rides
Are spelling it out so clear
Either he's going to have to stand and fight
Or take off out of here
I tried to run away myself
To run away and wrestle with my ego
And with this flame
You put here in this Eskimo
In this hitcher
In this prisoner
Of the fine white lines
Of the white lines on the free, free way

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Joni Mitchell

Joni Mitchell, CC (born Roberta Joan Anderson; November 7, 1943) is a Canadian musician, singer songwriter, and painter. Mitchell began singing in small nightclubs in Saskatchewan and Western Canada and then busking in the streets and dives of Toronto. In 1965 she moved to the United States and, touring constantly, began to be recognized when her original songs ("Urge for Going," "Chelsea Morning," "Both Sides, Now," "The Circle Game") were covered by notable folk singers, allowing her to sign with Reprise Records and record her own debut album in 1968. Settling in Southern California, Mitchell and her popular songs like "Big Yellow Taxi" and "Woodstock" helped define an era and a generation. Her more starkly personal 1971 recording Blue has been called one o… more »

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