Face the Face

Pete Townshend

About Face the Face

"Face the Face" is a song by Pete Townshend. The song is the third track on Townshend's fourth solo album, a concept album titled White City: A Novel, and was released as a single. In the US, the single had a different take which had bad sound compared to the UK release and on the promo for the single "Face the Face" it said:"Dear Programmer: Enclosed is a reservice of the Pete Townshend single "Face the Face." While Pete was visiting us here in the States, he remarked to us that the British single sounded a bit hotter. We checked... he was right. Same edit. Same mix. Hotter sound. Maybe you wouldn't notice. Maybe you would. Time to re-cart the record. Happy Holidays, Atco Records"Geoffrey Giuliano in his book, Behind Blues Eyes: The Life of Pete Townshend (2002), described "[T]he highlight of the video is the poolside staging of the electric 'Face the Face', in which director Richard Lowenstein effectively captures the excitement of a big-band performance and Townshend's joyous jitterbugging ... in a gold lamé, forties-style tuxedo Lowenstein reveals more story line in these five minutes than the entire video". It was released with Townshend's concept album, White City: A Novel, and included him discussing the music. When Pete Townshend was asked about the song he said in length:"'Face The Face' was done on a new keyboard, which was a form of DX7, and I was very keen to get something very, very fast and upbeat knocked out, and I knocked out a few sections that I couldn't play all together. I could play bits of it, but try and do it all together and it confounded me, so I did a bunch of building blocks and said to Rabbit, "I want forty of them"-this is a Mozart technique-"five of those, six of these, seven of those," and he wrote it all out and played it to a drum loop that we got from a box, and that became the beginning of the track. This was very much a new age type of recording, and that's why it sounds pretty modern, I think. Simon Phillips overdubbed the drums, we later overdubbed the brass, we overdubbed backing vocals, we overdubbed everything. It was all overdubbed onto Rabbit's synthesizer playing."The single reached number 26 in the US singles charts and number 3 on Billboard's Mainstream Rock Charts, along with achieving top 20 status in Australia, New Zealand and several European territories, but did not share the same success in the UK, only peaking there at number 89. 


Year:
1985
117 
#6

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Face the face, got to face the face
Face the face, got to face the face

You must have heard the cautionary tales
The dangers hidden on the cul-de-sac trails
From wiser men who've been through it all
And the ghosts of failures spray-canned up on the wall

We've got to judge the judge
Got to find the finds
We've got to scheme the schemes
Have to line the lines
We must stake the stakes
And show the shown
We must take the takes
And know the known
Try to place the place
Where we can face the face.
We got to face the face
Try to place the place
Where we can face the face
Face the face,got to face the face.
Face the face,got to face the face.

Got to
Got to

You must have tried and defied belief
Maybe found futility in insular grief
I need your hunger you need mine
A million appetites can swallow up time.
We've got to fool the fools
We got to plan the plans
We got to rule the rules
We got to stand the stands
We got to fight the fight
We must fall the falls
We got to light the light
We got to call the calls
We must race the race
So we can face the face
We got to race the race
We must race the race
So we can face the face
Face the face
We got to face the face
We got to race the race
We got to

Keep looking

New York! Chicago!
London and Glasgow!
Keep looking!

Keep on looking
Keep on cooking
Got to stay on this case
Study the pix
Watch the flix
We've got to find the face.
Face the face ,got to face the face
Watch the flix
Got to

We've got to judge the judge
We got to find the finds
We've got to scheme the schemes
We got to line the lines
We got to fight the fight
We got to fall the falls
We got to light the light
We got to call the calls
Try to place the place
Where we can face the face.
We got to face the face
Try to place the place
Where we can face the face.
Try to place the place
Where we can face the face.
Keep looking, keep looking
We must race the race
So we can face the face.
We got to race the race
We must race the race.
So we can face the face
We got to face the face
We got to race the race

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Pete Townshend

Peter Dennis Blandford "Pete" Townshend (born 19 May 1945) is an English rock guitarist, vocalist, songwriter and author, known principally as the guitarist and songwriter for the rock group The Who, as well as for his own solo career. His career with The Who spans more than 40 years, during which time the band grew to be considered one of the most influential bands of the 1960s and 1970s, and, according to Eddie Vedder, "possibly the greatest live band ever." more »

1 fan

Written by: PETER DENNIS BLANDFOR TOWNSHEND

Lyrics © BMG Rights Management, Spirit Music Group

Lyrics Licensed & Provided by LyricFind


13 facts about this song

Release Date
"Face the Face" was released in September 1985, as both an individual track and part of the album "White City: A Novel".
Genre
Known for his rock and roll music, Pete Townshend curated "Face the Face" in a distinctive dance rock style, unlike his usual work.
Song Artist
Pete Townshend, more commonly known as the lead guitarist for The Who, is the artist of the song "Face the Face". He is considered one of the most influential rock musicians in the world.
Album Concept
The song is part of Pete Townshend's concept album - "White City: A Novel". The album portrays a story set in a low-income housing estate in the West London district of White City, close to where Townshend grew up.
Music Video
"Face the Face" is noteworthy for its innovative music video where Townshend and his fellow band members can be seen performing on a large rotating platform.
Chart Performance
Upon its release, "Face the Face" made it to the charts and reached number 26 on the Billboard Hot 100 in the United States.
Live Performance
"Face the Face" was performed live with David Gilmour of Pink Floyd fame in a concert at Cannes, France, which aired on television.
Track Length
The song is one of Pete Townshend's longer studio recordings, with the original album version running for an impressive 5:51 minutes.
Band personnel
For "Face the Face" and the rest of the "White City: A Novel" album, Townshend enlisted a star-studded band that included Pink Floyd's David Gilmour on lead guitar.
Music Composition
Known for its distinctive horn section dominated by the saxophone, "Face the Face" is characterized by a bright brassiness, a departure from Townshend's typical style.
Lyrical Theme
Like other songs from "White City: A Novel", "Face the Face" is thematically part of a narrative that explores the social and personal effects of living in a multi-cultural society.
Reception
The song received positive reviews from critics, with the Rolling Stone Magazine praising its energy and Pete Townshend’s new musical approach.
Commercial Success
"Face the Face" is considered one of Pete Townshend's most significant commercial successes as a solo artist.

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    Face the Face

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    Top Hot 100 Songs 1986

    Billboard #26


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