Up the Hill Backwards
David Bowie
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The vacuum created by the arrival of freedom And the possibilities it seems to offer It's got nothing to do with you, if one can grasp it It's got nothing to do with you, if one can grasp it A series of shocks - sneakers fall apart Earth keeps on rolling - witnesses falling It's got nothing to do with you, if one can grasp it It's got nothing to do with you, if one can grasp it Yeah, yeah, yeah - up the hill backwards It'll be alright, ooh While we sleep they go to work We're legally crippled it's the death of love It's got nothing to do with you, if one can grasp it It's got nothing to do with you, if one can grasp it More idols then realities, ooh I'm OK, you're so-so, ooh Yeah, yeah, yeah - up the hill backwards It'll be alright ooh
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Written by: DAVID BOWIE
Lyrics © TINTORETTO MUSIC, Sony/ATV Music Publishing LLC
Lyrics Licensed & Provided by LyricFind
20 facts about this song
Song Details"Up The Hill Backwards" is a song by English musician David Bowie, released on his 1981 album "Scary Monsters (and Super Creeps)".
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Chart PerformanceDespite not being released as a single in the US, the song still managed to reach No. 32 on the UK Singles Chart.
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Musical CompositionIt is noted for its layered harmonies and intricate guitar work. The introduction alone comprises two 12-string acoustic guitars and an electric guitar.
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Song MeaningThe lyrics deal, in typically oblique fashion, with Bowie’s own feelings of being forced to move forwards not by his own volition, but by the momentum of his career.
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Fripp InfluenceRobert Fripp, of King Crimson fame, contributes distinctive lead guitar parts to the song.
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Album Impact"Up The Hill Backwards" was the final single to be released from the album and signaled the end of an era for Bowie. It was his last release on the RCA label before moving to EMI.
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Live PerformancesThe song was performed live during the Serious Moonlight tour in 1983, but has seldom been performed live since.
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Cover VersionsThe 2008 album "Heroes: The Human League, The B-52's, Ultravox" by The Postmarks includes a cover of "Up The Hill Backwards".
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Music VideoThe video for the song was directed by David Mallet and features a montage of clips from previous Bowie videos, live performances, and promo films.
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Critical Reception"Up the Hill Backwards" has been praised by music critics, with AllMusic calling it an "excellent deep cut" and Rolling Stone describing it as "deceptively buoyant".
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Album Association"Up the Hill Backwards" is a song from David Bowie’s fifteenth studio album, "Scary Monsters (and Super Creeps)" which was released in 1980.
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Track PositionIt's the second song on side two (and the sixth song overall) on the vinyl pressing of "Scary Monsters (and Super Creeps)."
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Chart PerformanceThe single was released in March 1981 and entered the UK Singles Chart at No. 32, rose to a high of No. 32 and spent seven weeks in the chart.
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Unique FeatureThis song is known for its intro, which is a reversed version of the song's own end.
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Music Production & ArrangementIt was produced by Bowie and Tony Visconti, Bowie's long-time collaborator, and also features Pete Townshend of The Who on guitar. The main drum part is performed by Bowie himself.
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SongwritingBowie wrote the track during a period when he was in a particularly good state of mind after being legally cleared of serious financial issues related to his former manager.
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Music VideoIts music video, directed by David Mallet, was shot on a set featuring an oversized Bowie puppet and numerous other marionettes. Bowie did not appear in the video himself, a rarity for him.
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Performance StyleAccording to Tony Visconti, Bowie recorded his vocal for the song whilst lying flat on his back in the studio. This was done to give a certain relaxed effect to the delivery of the lyrics.
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LyricsThe lyrics to "Up the Hill Backwards" are often considered to be convoluted and difficult to decipher, a characteristic common in many Bowie songs.
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Album SuccessAlthough it is not one of Bowie's most commercially successful songs, it is part of an album that is considered his last with a significant impact on the music charts. Scary Monsters (and Super Creeps) was a commercial success and peaked at No.1 in the UK Album Chart.
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