The Magnificent Seven

About The Magnificent Seven

"The Magnificent Seven" is a song by the English punk rock band the Clash. Released in 1981, it was the third single from the Clash's fourth album, Sandinista!. It reached number 34 on the UK Singles Chart. The song was inspired by old school hip hop acts from New York City, like the Sugarhill Gang and Grandmaster Flash & the Furious Five. Rap was still a new and emerging music genre at the time, and the band, especially Mick Jones, was very impressed with it, so much so that Jones took to carrying a boombox around and got the nickname "Whack Attack". "The Magnificent Seven" was recorded in April 1980 at Electric Lady Studios in New York City, built around a funky bass loop played by Norman Watt-Roy of the Blockheads. Joe Strummer wrote the words on the spot, a technique that was also used to create Sandinista!'s other rap track, "Lightning Strikes (Not Once But Twice)". The song represents the first attempt by a rock band to write and perform original rap music, and one of the earliest examples of hip hop records with political and social content. It is the first major white rap record, predating the recording of Blondie's "Rapture" by six months. Strummer said of the group's encounter with hip hop: more »

Year:

2001

3:58

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Ring! Ring! It's 7:00 A.M.!
Move why'self to go again
Cold water in the face
Brings you back to this awful place
Knuckle merchants and you bankers, too
Must get up an' learn those rules
Weather man and the crazy chief
One says sun and one says sleet
A.M., the F.M. the P.M. too
Churning out that boogaloo
Gets you up and gets you out
But how long can you keep it up?
Gimme Honda, Gimme Sony
So cheap and real phony
Hong Kong dollars and Indian cents
English pounds and Eskimo pence

You lot! What?
Don't stop! Give it all you got!
You lot! What?
Don't stop! Yeah!

Working for a rise, better my station
Take my baby to sophistication
She's seen the ads, she thinks it's nice
Better work hard - I seen the price
Never mind that it's time for the bus
We got to work - an' you're one of us
Clocks go slow in a place of work
Minutes drag and the hours jerk

"When can I tell 'em wot I do?
In a second, maaan...oright Chuck!"

Wave bub-bub-bub-bye to the boss
It's our profit, it's his loss
But anyway lunch bells ring
Take one hour and do your thanng!
Cheeesboiger!

What do we have for entertainment?
Cops kickin' Gypsies on the pavement
Now the news - snap to attention!
The lunar landing of the dentist convention
Italian mobster shoots a lobster
Seafood restaurant gets out of hand
A car in the fridge
Or a fridge in the car?
Like cowboys do - in T.V. land

You lot! What? Don't stop. Huh?

So get back to work an' sweat some more
The sun will sink an' we'll get out the door
It's no good for man to work in cages
Hits the town, he drinks his wages
You're frettin', you're sweatin'
But did you notice you ain't gettin'?
Don't you ever stop long enough to start?
To take your car outta that gear
Don't you ever stop long enough to start?
To get your car outta that gear
Karlo Marx and Fredrich Engels
Came to the checkout at the 7-11
Marx was skint - but he had sense
Engels lent him the necessary pence

What have we got? Yeh-o, magnificence!!

Luther King and Mahatma Gandhi
Went to the park to check on the game
But they was murdered by the other team
Who went on to win 50-nil
You can be true, you can be false
You be given the same reward
Socrates and Milhous Nixon
Both went the same way - through the kitchen
Plato the Greek or Rin Tin Tin
Who's more famous to the billion millions?
News Flash: Vacuum Cleaner Sucks Up Budgie
Oooohh...bub-bye

Magnificence!!

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The Clash

The Clash were an English punk rock band that formed in 1976 as part of the original wave of British punk. Along with punk, their music incorporated elements of reggae, ska, dub, funk, rap, dance, and rockabilly. For most of their recording career, the Clash consisted of Joe Strummer (lead vocals, rhythm guitar), Mick Jones (lead guitar, vocals), Paul Simonon (bass guitar, vocals) and Nicky "Topper" Headon (drums, percussion). Headon left the group in 1982, and internal friction led to Jones's departure the following year. The group continued with new members, but finally disbanded in early 1986. more »

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