Ko Ko Mo (I Love You So)

Louis Armstrong

About Ko Ko Mo (I Love You So)

"Ko Ko Mo (I Love You So)" is a popular novelty song written in late 1954 by the rhythm and blues partnership of Forest Gene Wilson and Eunice Levy, and also credited to Jake Porter. One of the earliest rock and roll songs, it was probably "the most extensively recorded rock 'n' roll song of that time". Originally recorded by rhythm and blues duo Gene and Eunice (Wilson and Levy) in November 1954 on the Combo label and again in January 1955 on the Aladdin label, it was covered by at least 17 different musicians in the first few months of 1955 alone, including Perry Como, The Crew-Cuts, The Charms, Louis Armstrong and Gary Crosby, Goldie Hill & Red Sovine, Hawkshaw Hawkins and Rita Robbins, The Hutton Sisters (Marion Hutton and Betty Hutton), The Flamingos, Ronnie Aldrich and The Squads, Tito Rodríguez, Big Dave and His Orchestra, Marvin & Johnny, Barry Frank (with the Four Bells), Bill Darnell & Betty Clooney, Jack Cardwell with Jackie Hill, and The Dooley Sisters. Andy Griffith also recorded a satirical parody of the song. 


Year:
1960
2:40
152 
#6

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(Ko-Ko-Mo! Ko-Ko-Mo! Ko-Ko-Mo!) 

Talk to me baby, whisper in my ear, 
a come a little closer, don't you have no fear! 

Don't you know? I love you so! 
Don't you know? I love you so!
When I holler "Hey! Ko-Ko-Mo!" 

Heard what you told me, heard what you said! 
Heard what you told me, heard what you said! 
Don't you worry my purdy, I don't lose my head! 

There's dimples on my elbows, dimples on her knees, 
dimples on my elbows, dimples on her knees, 
she thrills an' thrills me, just a little squeeze! 

(Ko, Ko, Ko-Ko-Mo! Ko, Ko, Ko-Ko-Mo! 
Ko, Ko, Ko-Ko-Mo!) 

Don't you know Ko-Ko-Mo that I love you so! 
Oh talk to me baby (talk, talk!) whisper in my ear (talk, talk, talk!)
Oh talk to me baby (talk, talk!) whisper in my ear (talk, talk, talk!) 
(Tell it to me!) come a little closer, don't you have no fear! 

Ah! Don't you know? I love you so! 
Don't you know? ~ I love you so! 
When I holler "Hey! ( Hey! ) Ko-Ko-Mo!" 

(Ko-Ko-Mo! Ko-Ko-Mo! Ko-Ko-Mo!) 

Don't you know 
I love you Ko-Ko-Mo! 

Ko-Ko-Mo!

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Louis Armstrong

Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana. more »

15 fans

Written by: Eunice Hazel Levy, Jake Porter, Forrest Wilson

Lyrics © Universal Music Publishing Group, MEADOWLARK MUSIC

Lyrics Licensed & Provided by LyricFind


4 facts about this song

Song Background
1. "Ko Ko Mo (I Love You So)" is a popular song written by Forest Wilson, Jake Porter, and Eunice Levy. While the song has been performed by various artists, the most popular renditions are by Louis Armstrong and Perry Como.
Louis Armstrong Version
2. Louis Armstrong, a legendary American jazz trumpeter and singer, recorded his version of "Ko Ko Mo (I Love You So)" in 1955 with his All Stars band. 3. Armstrong's cover of the song was released by Decca Records, his record label at the time. His rendition is known for its unique jazz style and Armstrong's iconic raspy voice. 4. This song isn't traditionally featured in Armstrong's well-known discography but is a standout due to its playful style and it being a bit of a departure from his other works.
Perry Como Version
5. Perry Como, a well-loved American singer and television personality, also covered "Ko Ko Mo (I Love You So)" in 1955. 6. Compared to Armstrong's version, Como's rendition is more laid-back and easygoing, characteristic of his crooning style. 7. Perry Como's recording of the song was released by RCA Victor and it became one of his hit songs in the mid-'50s. 8. In Como's cover, the song was orchestrated by Mitchell Ayres and his orchestra, giving it a lush, full sound that was popular during the era.
Overall Impact
9. "Ko Ko Mo (I Love You So)" was one of the hit songs in 1955, and both Armstrong's and Como's versions played a part in popularizing it. 10. The song, thanks to its catchy swinging rhythm and evocative lyrics, has continued to be covered by various artists, serving as a testament to its enduring popularity.

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