Jenny Ondioline

Stereolab

About Jenny Ondioline

Jenny Ondioline is a 1993 EP by the Anglo-French band Stereolab, which served as the lead single from the album Transient Random-Noise Bursts with Announcements. It was released on CD and 10" vinyl. Its tracks were later re-released on the Oscillons from the Anti-Sun compilation. In the UK, some copies were stickered with the message "Includes French Disco", due to that track receiving an unexpected amount of airplay on British radio. "French Disco" was also given co-billing with "Jenny Ondioline" on the UK Singles chart, on which it was Stereolab's first entry, peaking at number 75. The EP was the first Stereolab release on Elektra Records in the USA. At the group's request, and in keeping with their "retro" aesthetic, the artwork for this and most subsequent Stereolab releases used the 1970s Elektra logo (a slightly revised version of which was subsequently reintroduced and remains in use today) instead of the then-current logo. "Jenny Ondioline" was voted #39 in John Peel's Festive Fifty for 1993. The re-recorded version of "French Disko" (see below) was voted #5 in the same poll, and #36 in the All-Time Festive Fifty broadcast in January 2000.  


Year:
1993
294 
#3

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Life on earth is a bloody
As in the city the public wears,
I think the brilliant cast for insane realities to come
And that's a decisive battle that we, haven't we lost

I don't care if the fascists have to win
I don't care democracy's being sucked
I don't care socialism's full of sin  (Or, I don't care socialism's collapsing)
The unbeatable system engenders rot
That what is exciting
Is a challenge as the new nation
But the tensions have to be creative with some time

The innocent suffer from the transformation in the (their)country
They balance asylum...down and they run you
Obviously once more it could be culture
I bet a lot oh don't you get to

I don't care if the fascists have to win
I don't care democracy's being sucked
I don't care socialism's collapsing
The indubitable the system is so corrupt  
(This sounds like immutable on the album version)
That what is exciting
Is a challenge as the new nation
But the tensions happy but 
(That the tensions happy but creative are so tight)

Life on earth is a bloody,
In place of the,
The horrors of the war are keeping me free to,
It was like taking candy from a baby.

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Stereolab

Stereolab are an alternative music band formed in 1990 in London, England. The band originally comprised songwriting team Tim Gane (guitar/keyboards) and Lætitia Sadier (vocals/keyboards/guitar), both of whom remained at the helm across many lineup changes. Other long-time members include Mary Hansen (backing vocals/keyboards/guitar), who played with the group from 1992 until her accidental death in 2002, and Andy Ramsay (drums), who joined in 1993, and who is still in the official line-up. more »

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Written by: LAETITIA SADIER, TIMOTHY JOHN GANE

Lyrics © Universal Music Publishing Group

Lyrics Licensed & Provided by LyricFind


24 facts about this song

Song Release
"Jenny Ondioline" is a song by Stereolab that was released in 1993.
Album Debut
The song is from the band's second studio album titled "Transient Random-Noise Bursts With Announcements".
Track Length
It is noted for its length, scaling an unusual 18 minutes and 8 seconds.
Name Source
The song's name, "Jenny Ondioline", is a playful tweak on the Ondioline, a type of electronic keyboard invented in 1941 by French musician Georges Jenny.
Instrumental
Known for a lengthy instrumental passage, the song stands as one of Stereolab's noteworthy experiments in music.
Genre
The song is classified in the genre of post-rock, krautrock, and avant-pop.
Critical Acclaim
In 2009, Pitchfork listed "Jenny Ondioline" as the 276th best song of the 1990s, praising its hypnotic repetition and dreamy textures.
Band Composition
The band Stereolab is a British-French avant-pop band formed in London in 1990, led by Tim Gane (guitar/keyboards) and Lætitia Sadier (vocals/keyboards/guitar).
Live Performances
Live variations of the song became a fan favorite at concerts and was considered a highlight of the band's live performances.
Music Style
"Jenny Ondioline" is notable for its layered guitar drones and repetitive, metronomic rhythms with streams of keyboard arpeggios, which contribute to a mellow psychedelic effect.
Band's Evolution
The song marks Stereolab's evolution from a more orthodox indie rock band to a more experimental and innovative sound.
Format Release
Alongside the album release, "Jenny Ondioline" was also released as a four-track single.
Unique Structure
Unlike traditional songs, "Jenny Ondioline" doesn't have a verse-chorus structure. Instead, it gradually builds and changes over its 18-minute running time.
Influence
The sound of "Jenny Ondioline" and the album it came from, was influential on many other bands, helping to shape the post-rock and indie rock genres in the years that followed.
Song Classification
"Jenny Ondioline" is a song by the English-French rock band Stereolab, released on their 1993 album "Transient Random-Noise Bursts with Announcements."
Album Recognition
The album on which the song is included, "Transient Random-Noise Bursts with Announcements," is widely recognized as a seminal album both for the band and within the genre of post-rock, psychedelic pop, and krautrock.
Unique Traits
The song is known for its unique structure and length; it is approximately 18 minutes long, divided into several distinct sections. It's considered a journey of sorts through different musical landscapes.
Instrumentation
The song prominently features the Ondioline, an analogue synthesizer developed in the 1940s by Georges Jenny, which was used to create a textured, warm sound to the song. This is where the song gets its name.
Band Members
Stereolab's primary members during 1993 when "Jenny Ondioline" was released were Lætitia Sadier and Tim Gane. They are known for their distinctive style of integrating vintage electronic instruments into their music.
Musical Evolution
"Jenny Ondioline" is one of the Stereolab tracks that best showcases the band's evolution. It mixes elements of drone music, minimalism, and krautrock with a repetitive motif.
Critical Reception
Critics often cite "Jenny Ondioline" as one of Stereolab's standout tracks. It's lauded for its epic structure, experimental sound, and influential role in 90s indie rock.
Cultural Impact
"Jenny Ondioline" has had a significant influence on modern indie and alternative music. Many subsequent artists have pointed to this song as inspiration for their own explorations into long-form, repetitive, and hypnotic structures of composition.
Cover Versions
Despite its length and complexity, a handful of bands and artists have covered "Jenny Ondioline," further cementing its status as a critical darling within the indie and alternative scenes.
Legacy
Despite Stereolab's extensive and esteemed discography, "Jenny Ondioline" remains a cornerstone of their repertoire and is often the song cited by fans and critics alike as illustrating the quintessential Stereolab sound.

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