16 Shells from a Thirty-Ought-Six

Tom Waits

About 16 Shells from a Thirty-Ought-Six

16 Shells From a Thirty-Ought-Six is a song by Tom Waits appearing on his 1983 album Swordfishtrombones. In 1988, it was released as a single in support of his live performance album Big Time.


Year:
1988
4:10
394 
#5

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I plugged 16 shells from a thirty-ought-six
And a black crow snuck through
A hole in the sky
So I spent all my buttons on an
Old pack mule
And I made me a ladder from
A pawn shop marimba
And I leaned it up against
A dandelion tree

And I filled me a sachel
Full of old pig corn
And I beat me a billy
From an old French horn
And I kicked that mule
To the top of the tree
And I blew me a hole
'Bout the size of a kick drum
And I cut me a switch
From a long branch elbow

I'm gonna whittle you into kindlin'
Black crow 16 shells from a thirty-ought-six
Whittle you into kindlin'
Black crow 16 shells from a thirty-ought-six

Well I slept in the holler
Of a dry creek bed
And I tore out the buckets
From a red Corvette, tore out the buckets from a red Corvette
Lionel and Dave and the butcher made three
You got to meet me by the knuckles of the skinnybone tree
With the strings of a washburn
Stretched like a clothes line
You know me and that mule scrambled right through the hole

I'm gonna whittle you into kindlin'
Black crow 16 shells from a thirty-ought-six
Whittle you into kindlin'
Black crow 16 shells from a thirty-ought-six

Now I hold him prisoner
In a washburn jail
That stapped on the back
Of my old kick mule
Strapped it on the back of my old kick mule
I bang on the strings just
To drive him crazy
I strum it loud just to rattle his cage
Strum it loud just to rattle his cage

I'm gonna whittle you into kindlin'
Black crow 16 shells from a thirty-ought-six
Whittle you into kindlin'
Black crow 16 shells from a thirty-ought-six

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Tom Waits

Thomas Alan "Tom" Waits (born December 7, 1949) is an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding "like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car." With this trademark growl, his incorporation of pre-rock music styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music, Waits has built up a distinctive musical persona. He has worked as a composer for movies and musical plays and has acted in supporting roles in films including Paradise Alley and Bram Stoker's Dracula; he also starred in the 1986 film Down by Law. He was nominated for an Academy Awa… more »

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10 facts about this song

Song Composition
"16 Shells from a Thirty-Ought-Six" was written by renowned musician Tom Waits, who is known for his experimental songwriting and distinctive vocal style.
Album Appearance
The song is a standout track from Tom Waits' 1983 album "Swordfishtrombones," which marked a new direction in the singer's style as he began experimenting with unconventional instruments and sounds.
Song Theme
The song's lyricism evokes vivid, cinematic imagery that is a hallmark of Waits' songwriting. The incorporation of war-like themes and a chaotic tone is prevalent in the song.
Musical Style
"16 Shells from a Thirty-Ought-Six" is marked by its bracing musical approach that blends elements of blues, jazz, and experimental rock, a departure from his previous work.
Popular Recognition
This song is considered a highlight among Tom Waits' discography and often cited as a crucial factor in the broadening of his style and fan base.
Live Performances
Despite its complex structure, "16 Shells from a Thirty-Ought-Six" has often been performed live by Waits, showcasing different interpretations of the song over his long career.
Influence on other Musicians
The song's influence extends across genre borders, with musicians like Hugh Laurie citing it as a source of inspiration.
Song Title
The term “thirty-ought-six” is vernacular for .30-06 Springfield, which is a popular caliber for hunting rifles and military surplus weapons, indicating that the song might have elements of the juxtaposition of violence and survival.
Unique Instrumentation
This song is part of Waits' enlarged percussive arsenal, which he used on "Swordfishtrombones," that includes marimba, metal aunglongs, and other percussion to create the song’s unique sound.
Critical Acclaim
Music critics consider "16 Shells from a Thirty-Ought-Six" a classic, often praising its vibrant lyric imagery and evocative musical arrangement.

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