transmission #1

MordechaiMordechai 

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Mordechai

Mordecai (; also Mordechai; Hebrew: מָרְדֳּכַי‎, Modern: Mŏrdoḵay, Tiberian: Mārdoḵay, IPA: [moʁdeˈχaj]) is one of the main personalities in the Book of Esther in the Hebrew Bible. He is described as being the son of Jair, of the tribe of Benjamin. Mordecai was also the cousin and guardian of Esther, who became queen of Persia under the reign of Ahasuerus (Xerxes I). Mordecai's loyalty and bravery are highlighted in the story as he helps Esther foil the plot of Haman, the king's Vizier, to exterminate the Jewish people. Mordecai's actions are rewarded by the King, and he is appointed as vizier. He becomes a respected figure among both the Jews and the Persians, and his influence in the court is used to promote the interests of his people. His story is celebra… more »

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It is the 15th hour on the 25th of May
2021 at 40 degrees
40 minutes
20.154 seconds north
73 degrees
56 minutes
52.1196 seconds
If at any point during the transmission you begin to lose your focus
Allow that loss to feel true
For in the moments of both recording and listening to this transmission
Environmental forces are at play which bring our experiences simultaneously further and close to a present moment
One of the many that live between each other
These forces are in part
Gravitational waves in the ocean of the celestial body
Ripples in spacetime that would not exist as they are without all others existing as they are too
For all waves eventually touch each other through a direct or indirect process of gravitational mediation
Much like the tide reels both into and out of the shore in a flowing progression of the individual waves that came before
So too do our experiences in the circulatory system of the celestial body

When we see a wave begin to break
We know that there are other
Perhaps equal waves
Returning in the riptide of its wake
But by that same notion
When we focus our sights only on the wave beginning to break
What we actually see is not the wave
But a veil
In commanding our attention to the liminal
We fail to see the subliminal conjuring below the surface
You see
The journey of the wave has neither a beginning nor an end
But a transformative process of evolution as it moves through the slow ecstasy of its life force
One may feel a need to conceptually approximate this evolution into something rational such as a cyclical pattern
But we must then consider that in reality
Circles themselves are based around irrationality
A never ending value which cannot be the root of any algebraic equation with rational coefficients
The transcendental pi

Embracing the irrationality of rationale may make space for one to see that these journeys
Our experiences
The waves can all be living in the ecstasy of their attraction to gravity
For much like the water
The ocean of our celestial body is cradled in the deepest chalices of Earth
And because the appendages of this body have neither beginning nor end
The collectives experience of its flesh can be describes only in complex harmony
It is said that attempts have beeb made to chart these waters
And every one of those maps
Graphs
And formulas resemble something of a score
The individual wavelengths comprise both the performance and the instrument it is written for
What's more
It has been found that in laying all of the individual parts directly on top of each other
One wave at a time
We reveal that the instruments and their performance write each other into a spectrum of harmonic equilibrium

This score is
Of course
Dimensionally larger than any other physical document we might be able to imagine and by its very nature
Only continuing to grow
But even if one were able to picture and read this great score it would only provide them with a singular arrangement of how the piece theoretically has
Does
And will sound relative to not yet achieving a unified description of gravity
Which one would need to appreciate to have a comprehensive understanding of how the piece sounds in totality
But much like any archive
We should consider intentionally
For the process of transmission necessitates the intentions of the author

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