Let Me Die In My Footsteps

Bob Dylan

About Let Me Die In My Footsteps

"Let Me Die In My Footsteps" is a song written by American singer-songwriter Bob Dylan in February 1962. The song was selected for the original sequence of Dylan's 1963 album The Freewheelin' Bob Dylan, but was replaced by "A Hard Rain's A-Gonna Fall". This version was recorded at Columbia studios on April 25, 1962, during the first Freewheelin' session, and was subsequently released in March 1991 on The Bootleg Series Volumes 1-3 (Rare & Unreleased) 1961-1991. A later version, recorded as a demo for M. Witmark & Sons publishing company in December 1962, was released in October 2010 on The Bootleg Series Vol. 9 – The Witmark Demos: 1962–1964. The song's first release, however, was in September 1963 on The Broadside Ballads, Vol. 1, an album of topical songs compiled by folk musician Pete Seeger and Sis Cunningham, publisher of Broadside magazine. This version was recorded on January 24, 1963, with Dylan performing as "Blind Boy Grunt" (for contractual reasons), backed by his friend Happy Traum. Broadside had published the song's lyrics under its original title, "I Will Not Go Down Under the Ground", in the magazine's third issue in April 1962. 


Year:
1991
1,357 
#3

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I will not go down under the ground
"Cause somebody tells me that death's comin' 'round
An' I will not carry myself down to die
When I go to my grave my head will be high,
Let me die in my footsteps
Before I go down under the ground.

There's been rumors of war and wars that have been
The meaning of the life has been lost in the wind
And some people thinkin' that the end is close by
"Stead of learnin' to live they are learning to die.
Let me die in my footsteps
Before I go down under the ground.

I don't know if I'm smart but I think I can see
When someone is pullin' the wool over me
And if this war comes and death's all around
Let me die on this land 'fore I die underground.
Let me die in my footsteps
Before I go down under the ground.

There's always been people that have to cause fear
They've been talking of the war now for many long years
I have read all their statements and I've not said a word
But now Lawd God, let my poor voice be heard.
Let me die in my footsteps
Before I go down under the ground.

If I had rubies and riches and crowns
I'd buy the whole world and change things around
I'd throw all the guns and the tanks in the sea
For they are mistakes of a past history.
Let me die in my footsteps
Before I go down under the ground.

Let me drink from the waters where the mountain streams flood
Let me smell of wildflowers flow free through my blood
Let me sleep in your meadows with the green grassy leaves
Let me walk down the highway with my brother in peace.
Let me die in my footsteps
Before I go down under the ground.

Go out in your country where the land meets the sun
See the craters and the canyons where the waterfalls run
Nevada, New Mexico, Arizona, Idaho
Let every state in this union seep in your souls.
And you'll die in your footsteps
Before you go down under the ground.

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Bob Dylan

Bob Dylan ( /ˈdɪlən/; born Robert Allen Zimmerman; May 24, 1941) is an American singer-songwriter, musician, author, poet and artist. He has been an influential figure in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when he was an informal chronicler and a seemingly reluctant figurehead of social unrest. A number of Dylan's early songs, such as "Blowin' in the Wind" and "The Times They Are a-Changin'", became anthems for the US civil rights and anti-war movements. Leaving his initial base in the culture of folk music behind, Dylan's six-minute single "Like a Rolling Stone" has been described as radically altering the parameters of popular music in … more »

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Written by: BOB DYLAN

Lyrics © Universal Music Publishing Group

Lyrics Licensed & Provided by LyricFind


10 facts about this song

Origin
"Let Me Die In My Footsteps" is a song by legendary American singer-songwriter Bob Dylan. It was written and composed in 1962, during the early stages of his career.
Album
Although initially slated to be part of Dylan's second studio album, "The Freewheelin' Bob Dylan," the song was ultimately dropped from the final version. However, it was later included in the compilation album "The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991" released in 1991.
Theme
The song's lyrics are imbued with an anti-war sentiment, reflecting the tension and fear during the time of its creation, which was during the peak of the Cold War era. The lyrics couple Dylan's longing for peace with powerful nature imagery.
Inspiration
Dylan was reportedly inspired to write "Let Me Die In My Footsteps" after visiting a fallout shelter. The song's message rejects the fear and mass hysteria that come with war, encouraging others instead to stand their ground and enjoy the beauty of the world.
Reception
Despite not being included in the initial album release, the song was well-received by listeners and critics alike. It quickly became part of the popular protest song movement that was prominent during the 1960s.
Performance
"Let Me Die In My Footsteps" was performed by Dylan in 1963 at the renowned Carnegie Hall. Dylan, however, did not perform the song often in his live concerts.
Versions
There are two known versions of the song, a "protest" version from December 1961 and a "love" version from April 1962. Both recorded during the time when Dylan was regularly expressing protest sentiments and romantic feelings in his songs.
Cover Versions
While Dylan himself has not released any live recordings of the song, it has been covered by artists like Joan Baez, giving it a place in the larger folk and protest music canon of the time.
Usage in Media
A live three-verse version of "Let Me Die in My Footsteps," recorded during Bob Dylan’s July 2, 1961, live radio performance on WBAI, was used in Martin Scorsese's documentary No Direction Home.
Legacy
Today, "Let Me Die In My Footsteps" is regarded as one of Bob Dylan's most poignant and powerful anti-war songs, and it remains a testament to his unparalleled lyricism and ability to capture the zeitgeist of his era.

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