Tarkus

Emerson, Lake & Palmer

About Tarkus

"Tarkus" is the title track of Emerson, Lake & Palmer's second album. The progressive rock epic lasts 20:35. It was the longest studio song by the band until the three impressions of "Karn Evil 9". The name "Tarkus" refers to the armadillo-tank from the William Neal paintings on the album cover. The artist has explained that the name is an amalgamation between 'Tartarus' (a place of punishment mentioned in 2 Peter 2:4) and 'carcass' (hence the name being written in bones on the album cover). Consequently, the name refers to the "futility of war, a man made mess with symbols of mutated destruction." The song "Tarkus" itself supposedly follows the adventures of Tarkus from his birth, through a fight with a manticore, which he loses and concludes with an aquatic version of Tarkus named "Aquatarkus". Keith Emerson, when asked what work he is proudest of, named his Piano Concerto (from the Works release) and Tarkus. 


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I. STONES OF YEARS
Has the dawn ever seen your eyes?
Have the days made you so unwise?
Realize, you are.
Have you talked to the winds of time,
Then you'd know how the water rhyme.
Taste of wine,
How can you know where you've been?
In time you're gonna see the sign,
And realize your sin.
Will you know how the seed is sown?
All your times have been overgrown,
Never known.
Have you walked on the stones of years?
When you speak, is it you that hears?
Are your ears full?
You can't hear anything at all.

II. MASS
The preacher said a prayer,
Save ev'ry single hair on his head.
He's dead.
The minister of hate had just arrived too late to be spared.
Who cared?
The weaver in the web that he made!
The pilgrim wandered in,
Commiting ev'ry sin that he could
So good...
The cardinal of grief was set in his belief he'd saved
From the grave
The weaver in the web that he made!
The high priest took a blade
To bless the ones that prayed,
And all obeyed.
The messenger of fear is slowly growing, nearer to the time,
A sign.
The weaver in the web that he made!
A Bishop rings a bell,
A cloak of darkness fell across the ground,
Without a sound!
The silent choir sing and in their silence,
Bring jaded sound, harmonic ground.
The weaver in the web that he made!

III. BATTLEFIELD
Clear the battlefield and let me see
All the profit from our victory.
You talk of freedom, starving children fall.
Are you deaf when you hear the season's call?
Were you there to watch the earth be scorched?
Did you stand beside the spectral torch?
Know the leaves of sorrow turned their face,
Scattered on the ashes of disgrace.
Every blade is sharp; the arrows fly
We're the victims of your armies lie,
Where the blades of grass and arrows rain
Then there will be no sorrow,
Be no pain.

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Emerson, Lake & Palmer

Emerson, Lake & Palmer, also known as ELP, were a sporadically active English progressive rock supergroup. They found success in the 1970s and have sold over forty million albums and headlined large stadium concerts. The band consisted of Keith Emerson (keyboards), Greg Lake (bass guitar, vocals, guitar) and Carl Palmer (drums, percussion). They were one of the most popular and commercially successful progressive rock bands. Emerson and Lake both died in 2016. more »

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Written by: KEITH NOEL EMERSON, GREGORY LAKE

Lyrics © MUSIC SALES CORPORATION, BMG Rights Management

Lyrics Licensed & Provided by LyricFind


15 facts about this song

Album Birth
"Tarkus" is the title track on "Emerson, Lake & Palmer's" second album, which was released in 1971.
Song Length
Clocking in at over 20 minutes, "Tarkus" is one of the longest recorded pieces by "Emerson, Lake & Palmer." It takes up almost the entire first side of the album.
Song Structure
It is a seven-part suite written mostly by keyboardist Keith Emerson and is a mix of both instrumental and vocal sections.
Conceptual theme
The song's lyrical content and album artwork depict the story of a warlike, armored armadillo-tank creature called "Tarkus."
Cover Art
The album cover designed by William Neal is as famous as the song itself. It features a fantastical creature which is half-tank, half-armadillo emerging from an eggshell.
Advanced Composition
The composition of "Tarkus" exhibited a strong influence of classical music - particularly from the Romantic period composers.
Album Ranking
Upon release, the album featuring "Tarkus" peaked at No. 1 in the UK Album Chart and No. 9 in the US Billboard 200.
Critical Reactions
The song and its album have been divisive among critics and fans since their release, gaining both praise and criticism for its ambitious concept and execution.
Inspiration
The title "Tarkus" was invented by Keith Emerson, upon seeing it in a dream.
Performances
During live performances, Emerson was known to improvise extensively during the "Tarkus segment," much to the enjoyment of audiences.
Legacy
"Tarkus" is considered a significant and innovative piece in progressive rock, influencing many other bands in the genre.
Format
Due to its length, "Tarkus" was not released as a single and could primarily only be heard on the album or during concerts.
Creative Tensions
The making of "Tarkus" reportedly caused tension within the band, particularly between Emerson and Lake, due to their differing views on the direction the band should take.
Greg Lake’s Vocal
Lake's considerable vocal skills were highlighted on the song, providing a human touch to the otherwise heavy instrumental composition.
Other Performances
Several other musicians, including Dream Theater, have performed their versions of "Tarkus" in tribute to the original. Various orchestral arrangements of the piece have also been created.

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